Everything in this production is on the move. The events are set in motion by the founding of the community company JaWa. Its employees are unhoused man Jan, and Waldemar – who just got out of prison. Work becomes for them an opportunity to establish a complicated relationship with two artists from Szczecin – Iwona and Janek. This encounter will take them to one of Warsaw's theatres, Komuna Warszawa, which the group will start renovating as part of an artistic residency. The trip offered them an opportunity to form improbable bonds, go through crises, and ponder the nature of trust and whether real change is possible.

Over the course of this performance, which chronicles the artists' work with JaWa, the protagonists' situation changes dynamically. We walk a fine line between being housed and unhoused, between addiction and freedom. The feasibility of this enterprise is also put into question, and the meanings of the words success and failure become rather murky.

This moving and humorous story is symbolized by a small trailer on a stage. It acts as a mobile home, a mobile screen, and the venue for this story, guiding the audience through the trials and tribulations of JaWa and its employees.