Jakub Roszkowski’s Don Quixote is an intriguing, coherent and reflective play in which laughter alternates with sadness. The concept of locating the action in a geriatric ward is not obvious, but very apt. The director treats the audience to an emotional rollercoaster. And although we laugh at Anna Kadulska’s situational jokes and watch the patients’ adventures, giggling under our breath, after the finale we leave the room full of reverie, and the performance itself will resonate in us for a long time to come.

Magdalena Mikrut-Majeranek, teatrologia.info

Grzegorz Przybył, Don Quixote, Patient and Father, impresses with his mastery, he wins the necessary tones with silence and body work, at other times with awakening anger, aggression, shouting. This ambiguous figure is the epicentre of the performance, he measures the pulse of this world, sets the course of action, becomes the probe of emotions, the sensitivity of a man doomed to annihilation by others. He seamlessly traverses the borderline between dream and reality, arousing compassion, disturbing, moving and sometimes amusing.

Wojciech Lipowski, „Śląsk”

Scenes of slow and boring hospital life are juxtaposed with Don Quixote’s phantasmagorical adventures that happen in his head, because everything happens in the head. It is there, in the head, that an IV stand can turn into a sword, a wheelchair into a horse. The imaginary, drug-induced world sparkles with colour and costumes, as if from a dell`arte comedy. Is it the hospital staff, the patient and Don Quixote’s daughter who make his life interesting, or is it him who lets them follow his imagination?”

Marta Fox, martafox.pl