Jan Klata flawlessly controls the social element presented in Animal Farm. It is extremely difficult to convey the dynamics of such different characters, colourful personalities. Klata succeeds brilliantly.

Wojciech Lipowski, „Śląsk”

The acting team came off as ensemble and not individual. I want to be well understood: this is a real compliment. At a time when every performer is only playing for himself, preferably talking about himself, a close-knit team working towards a common goal commands the utmost respect.

Maciej Stroiński, „Teatr”

Maćko Prusak’s choreography is noteworthy, especially his skilful handling of the crowd, as group scenes predominate and there are many characters. Another merit of the performance is Justyna Łagowska’s lighting design – atmospheric, creating the atmosphere of individual scenes. The set design, on the other hand, is limited to the use of a revolving stage with a wall and a wheel, located on the right side of the proscenium. The costumes are also significant. Particularly memorable are the sheep costumes – as if knitted on a giant crochet hook.

Magdalena Mikrut-Majeranek, teatrologia.info

The actors themselves playing the individual animals were fully up to the task. On the one hand, they played their characters phenomenally and portrayed their emotions, feelings and thoughts, and on the other, they genuinely breathed a hint of the respective genre. There are no weak or unmemorable roles here, either, as each of them, even in the background, contributes a great deal to the performance and cannot be ignored when looking at the whole.

Tomasz Sknadaj, tearazteatr.pl