Weekend w Śląskim!
Article
Dziś w Sejmie Rzeczypospolitej Polskiej przełomowe głosowanie! Mamy to! Język śląski językiem regionalnym – tak zdecydowała sejmowa większość! W naszym
Read o: Weekend w Śląskim!based on the novel by Jonathan Littell
Duża Scena
3 hours 40 minutes with 1 intermission
Premiere date 18/11/2022
Regular ticket prices from 40zł to 80zł
Concessionary ticket prices from 30zł to 60zł
Information for wheelchair users: due to the varying setup of the playing space, please contact the Viewer Service Office before booking/purchasing tickets to obtain information on the availability of appropriate seats. Email: bow@teatrslaski.art.pl, phone number: +48 32 258 89 67.
One of the most famous and controversial novels of the 21st century in a staging by one of Europe’s most important directors, awarded the Silver Lion at the Venice Theatre Biennale.
Maximilian Aue, a former Nazi officer involved in the merciless extermination of Ukrainian Jews and now a stable factory director, is haunted by the ghosts of the past. Will an intimate confession allow him to come to terms with his crimes and clear his conscience? How can he escape from Erinyes, the ancient goddesses of vengeance, who, contrary to their common name, are not at all kind? Especially when we try to convince them that mass genocide is a complicated set of legal, economic and bureaucratic rules for which the life of every human being has little meaning. But the question remains as to where Evil lurks in such a case.
Please note that strobe lights are used in the performance.
One of the most famous and controversial novels of the 21st century in a staging by one of Europe’s most important directors, awarded the Silver Lion at the Venice Theatre Biennale.
Maximilian Aue, a former Nazi officer involved in the merciless extermination of Ukrainian Jews and now a stable factory director, is haunted by the ghosts of the past. Will an intimate confession allow him to come to terms with his crimes and clear his conscience? How can he escape from Erinyes, the ancient goddesses of vengeance, who, contrary to their common name, are not at all kind? Especially when we try to convince them that mass genocide is a complicated set of legal, economic and bureaucratic rules for which the life of every human being has little meaning. But the question remains as to where Evil lurks in such a case.
Please note that strobe lights are used in the performance.
Thanks to Maja Kleczewska’s wonderful direction (a masterful ability to bring out the best in the entire ensemble), Damian Josef Necia’s significant participation in the creation of the play, and the excellent understanding between actors and creators, a performance was created that has a very complex and difficult subject matter, a non-linear narrative, and deals with the attractiveness and perversity of evil, the sources and consequences of its existence in the world, in man.
Ewa Bąk, okiem-widza.blogspot.com
“The Kindly Ones” is an attempt to tackle the classics of world literature. And also a search for answers to questions about the status of criminal and victim in wartime atrocity, asked both in relation to the Second World War and towards Russian soldiers repeating exercises in evil – today and right next to us. This is a context we cannot ignore.
Katarzyna Niedurny, Gazeta Wyborcza
Roman Michalski is perfect in his role as a demiurge of memory, of narration (…). He impresses with his energy, his persuasive power. His age is an argument in the case. He takes great responsibility for cvictim, and wants us to identify with him and consider him innocent.
Ewa Bąk, okiem-widza.blogspot.com
Article
Dziś w Sejmie Rzeczypospolitej Polskiej przełomowe głosowanie! Mamy to! Język śląski językiem regionalnym – tak zdecydowała sejmowa większość! W naszym
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