The Kindly Ones

based on the novel by Jonathan Littell

Duża Scena 3 hours 40 minutes with 1 intermission Premiere date 18/11/2022

Stary mężczyzna patrzący na wprost, na twarzy ma na namalowany X

One of the most famous and controversial novels of the 21st century in a staging by one of Europe’s most important directors, awarded the Silver Lion at the Venice Theatre Biennale.

 

Maximilian Aue, a former Nazi officer involved in the merciless extermination of Ukrainian Jews and now a stable factory director, is haunted by the ghosts of the past. Will an intimate confession allow him to come to terms with his crimes and clear his conscience? How can he escape from Erinyes, the ancient goddesses of vengeance, who, contrary to their common name, are not at all kind? Especially when we try to convince them that mass genocide is a complicated set of legal, economic and bureaucratic rules for which the life of every human being has little meaning. But the question remains as to where Evil lurks in such a case.

 

Please note that strobe lights are used in the performance.

One of the most famous and controversial novels of the 21st century in a staging by one of Europe’s most important directors, awarded the Silver Lion at the Venice Theatre Biennale.


 


Maximilian Aue, a former Nazi officer involved in the merciless extermination of Ukrainian Jews and now a stable factory director, is haunted by the ghosts of the past. Will an intimate confession allow him to come to terms with his crimes and clear his conscience? How can he escape from Erinyes, the ancient goddesses of vengeance, who, contrary to their common name, are not at all kind? Especially when we try to convince them that mass genocide is a complicated set of legal, economic and bureaucratic rules for which the life of every human being has little meaning. But the question remains as to where Evil lurks in such a case.


 


Please note that strobe lights are used in the performance.

Cast

Old Maximilian Aue
Roman Michalski
Young Maximilian Aue
Mateusz Znaniecki
Blobel, Globocnik, Heinrich Himmler
Marcin Gaweł
Soldier, Hauptman, Hauptscharfürher, Zorn, Eberhard
Hubert Skonieczka
Kehrig, Rash
Paweł Kempa
Kurt Hans, Oberländer, Piontek
Arkadiusz Machel
Callsen, Bohr, Jeckeln, Komisarz, Brandt, Hitler, Weinmann
Marcin Szaforz
Weser
Wiesław Kupczak
Sperath, dr Hohenegg
Zbigiew Wróbel
Clemens
Andrzej Warcaba
Thomas
Bartłomiej Błaszczyński
Kern, Hanika, Partenau, Waiter, Receptionist, Michaj, SS Officer
Michał Piotrowski
Voss, Doll, Shenke, Weinrowski
Kamil Suszczyk
Una
Nina Zakharova
Victim, Hilde
Kateryna Vasiukova
Dr Mandelbrod
Jerzy Głybin
Von Üxküll, Moreau
Arttur Święs, Marek Rachoń
Heloise
Grażyna Bułka
Helena
Karina Grabowska
Frau Praxa
Ewa Leśniak
Midget, Vera Eichmann, Hedwig
Violetta Smolińska
Dr Sardin, Leland
Antoni Gryzik
Adolf Eichmann, Höss
Piotr Bułka
Tristan and Orlando
Borys and Leon Poniatowski, Maksymilian and Błażej Riedel
Children
Janina Rachoń, Dominik Salik, Igor Karaszewski, Stanisław Rachoń, Hanna Salik
Dancers
Paweł Kozłowski, Andrzej Michalski, Adam Zuber, Antoni Kudelko, Szymon Michlewicz-Sowa, Dawid Sozański
String quartet
Szymon Kolorz, Sebastian Smoleń, Marcin Ostrowski, Seweryn Kosiorowski

Creative and production team

direction
Maja Kleczewska
Adaptation
Maja Kleczewska, Damian Josef Neć
Dramaturgy
Damian Josef Neć
stage design and light
Katarzyna Borkowska
costumes
Konrad Parol
music
Cezary Duchnowski
choreography
spatial visualisations
Maciej Czuchryta
visual effects
Patrycja Superczyńska
translation
Magdalena Kamińska-Maurugeon
assistant director
Katarzyna Hora
german language consultation
Christian Jakob Altmann
stage manager
Dagmara Habryka-Białas
Prompter

Thanks to Maja Kleczewska’s wonderful direction (a masterful ability to bring out the best in the entire ensemble), Damian Josef Necia’s significant participation in the creation of the play, and the excellent understanding between actors and creators, a performance was created that has a very complex and difficult subject matter, a non-linear narrative, and deals with the attractiveness and perversity of evil, the sources and consequences of its existence in the world, in man. 

Ewa Bąk, okiem-widza.blogspot.com

“The Kindly Ones” is an attempt to tackle the classics of world literature. And also a search for answers to questions about the status of criminal and victim in wartime atrocity, asked both in relation to the Second World War and towards Russian soldiers repeating exercises in evil – today and right next to us. This is a context we cannot ignore.

Katarzyna Niedurny, Gazeta Wyborcza

Roman Michalski is perfect in his role as a demiurge of memory, of narration (…). He impresses with his energy, his persuasive power. His age is an argument in the case. He takes great responsibility for cvictim, and wants us to identify with him and consider him innocent.

Ewa Bąk, okiem-widza.blogspot.com

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